![]() ![]() In that time, Diana has latched on, feeding on her repressed emotions, becoming her shadow self. Sophie has forced down the depression that envelops her with medication for decades. Diana, the parasite, is an intruder, and Sophie’s mind is the host. The bottom is dark, damp, and cold, making it difficult to discern a way out. It’s like slowly falling into a sinkhole. It breaks us down until the void we feel is unbearable. It is the most prevalent cause of disability worldwide, affecting our work, social interactions, and physical health. Depression can be viewed with a similar lens. When Rebecca discovers this link between Diana and Sophie, she learns not only the horrifying details of Diana’s death but also the lengths she’ll go to prevent Sophie from getting better and leaving her behind.ĭiana is an effective and frightening monster when reduced to an infectious disease-causing parasite, feeding on and fueling Sophie’s negative emotions. Leveraging her ability, Diana first latched herself onto Sophie as a teenager when both resided in a mental institution. She was said to be evil, possessing the ability to invade the minds of others, influencing their emotions. Everything she does is wholly self-serving.Īs a girl, Diana was discovered in the basement of her childhood home following her father’s suicide. Ultimately, we recognize that Sophie is the only thing tethering Diana to our plane of existence. Her volatile behavior is vengeful but also a misguided attempt to protect the only genuine human connection she’s ever known. As a physically and mentally vulnerable child, experimental medical treatments transformed her into a monster, making her a particularly interesting villain. Diana perfectly embodies the emotional darkness - the proverbial rain cloud - that blankets depression. ![]() Interestingly, the central antagonist of Lights Out is not only Diana, but Sophie’s mental illness and struggles with depression.ĭepression is a symptom of a complex combination of factors, including genetics, brain chemistry, lifestyle, environment, personality, trauma, and stress. Sophie and Diana befriended each other when they were children, both undergoing treatment at a psychiatric hospital. In discovering their mother Sophie’s ( Maria Bello) secrets, they face Diana ( Alicia Vela-Bailey), a supernatural entity attached to her since she was a girl. The film follows Rebecca ( Teresa Palmer), who must protect her little brother Martin ( Gabriel Bateman) from the disturbing experiences that haunted her childhood. Sandberg‘s Lights Out, co-written by Eric Heisserer, plays with metaphors while exploiting fears of the dark and exploring mental illness. In her essay, “ Why Are We Afraid of the Dark? Because of Our Brains,” Gillian Kelly explains that horror films and haunted houses rely on the fear and unease felt in the dark to trigger an adrenaline-fueled thrill. Evolution is the reason that anxiety builds in the dark. In the absence of light, to protect us, our minds make the shadows we perceive in the dark threatening. Darkness is where shadows thrive, nightmares reside, and monsters are born. ![]()
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